WE IS PUTTIN IT ON UTUB

We are putting it on YouTube.

UPDATE
Last lesson the video did not upload (it took far too long), so I'm trying again right now. (11 Nov)

Finishing Touches Time

Well, we like to think that we're a bit ahead. Everything looks OK, we just need to add extra special stuff that looks good.

Just Me This Time

Hullo.
I'm all alone in the media room, just waiting for half of the band footage to write to Final Cut. The other half I will bring tomorrow for the lesson (silly memory sticks).
The worrying part is that we won't get much done by the means of a rough cut. I'm considering fiddling around with the footage I have today, before next lesson.
I suppose we need all the time we get!
Everything looks okay at the moment, it's all here and we're all happy.

We're All Here!

We have just shot footage of all of our sticky notes with people's dreams on them. We took a little walk to look for a suitable wall and found one right outside our room- argh. Ah well, we need the exercise.

Anyway, the shooting itself went really well, and we left all the sticky notes up for people to take/laugh at. w00t. 'tis all captured, and t'will be edited to a suitably funderful standard.

It's pretty well edited, but we haven't sped up the newly accustomed still versions to fit the beat!

Hello, It's Annie and Dan

Well yesterday, our footage was unuploadable! (From the band location, that is.) So I (Annie), took it home last night to turn the usable bits into a Quicktime and bring it in. As my memory stick calls itself 8GB, I thought it would be perfectably cabable of the 30 minutes I cut it down to. Unfortunately, it is only 7.47GB and the file was 7.79. As Dan says: "Dayum".

Anywho, as we couldn't edit, we decided to re-shoot the dreams shots as the band location shots didn't work very well (we used an improvised dolly, consisting of the fully opened tripod and an office chair (which I wrote about on the Video Production Risk Assessment )... only later to find a real dolly in the store room.)

Talk About Changes... Phwoar.

We're using a studio on Saturday for ALL of the as live footage, sorted. We have the new band and back up actors (all musicians, learning the songs in time for the shoot.)

Grand!
:D

Further Costs for Costume and Props

Saturday is Park Time. Whoop.

Ballerina shoes: £0, to borrow from a friend (who WON'T let me down)

Lawyer suit: £0, to borrow

Builder: £0, actor

Clown costume: approx. £30 -http://www.jokeshop.co.uk/cgi-bin/sitewise.pl?act=det&pt=&p=3585&id=jokeshop

Lights: for a rack of rhythm co-ordinated lights, approx. £15

Travel for the rest of the group to location: £5 each

There are so many more things yet to take into account, but we are taking things as they are.

**
Edit
**

We decided to scrap those ideas, and do some new ones, including a wig and some make-up. Which made Aidan look fabulous (pictures later.) So the costumes changed, the general dreams changed, and we didn't do the lights

Also, we were going to use this guitar originally. It is Aidan's custom-built Gibson and it does cool things with lights. However, the idea was scrapped due to the lights not being used and the fact that he'd have to take this ultra-valuable one-of-a-kind guitar on a BUS!

Test Footage

Didn't work out either. On the plus side, we've got everything else back on track and our fingers firmly crossed that it will stay that way.

x

YAY, A CRISIS. And a change in ideas.

Hi. So the band have pulled out, a DAY before filming. Great.
AHHHHH.
It's ok, we'll get actors. Just give us a few more weeks.
Sigh.

Along with the lack of cast (which we have now discussed and found a feasible solution too), we have an issue with the Polaroid idea. As the film is so expensive, we have decided to use post-it notes instead. Then we can still use the fluctuating wall effect and the dream idea. Also, as Aidan is a genius and is hiring a lighting rig, we can use fluorescent post-it notes with a black light to make them glow.

We are collecting the camera at 4:10 tomorrow and the next day... it's official!

And now we've already got over all the bad things in life. Oh to be this simple.,

We have the dreams, but do we have the talent to fulfil them?

Simon Cowell says no- WE say yes. Do we get a prize?



Aidan and Annie will be in the camera pit and on stage, filming during the real performance and sound check, also, while other songs are performed will will be gathering cut-aways.

Aidan has just gone home as he is ill, but Josh and I will be filming test shots.

I feel like such a let-down!

Unfortunately I (Annie) wasn't able to attend the 19th September lesson. I was on a college trip to the BFI library in London... BUT ENOUGH ABOUT ME!

Was just on the phone with Timi, lead singer of TITTM (Tell It To The Marines) and everything is fine on that end of the line. I also called a couple of other media group members today, Josh and Aiden, after carelessly losing Dan's number. Sigh. But when I know when everyone is free, we can start arranging meeting at BLANK location on BLANK date.

God help us when we fill in those blanks, two Worlds will collide and hopefully create a masterpiece as apposed to a COMPLETE disaster.

Fingers crossed, catch you latorz blogzord.

Animatic

Teqneekes

For the video we will be using the split screen technique, at least for some of it. The screen will be split into five screens and the images in the screens will be alternated between the band members and the extras.

One Polaroid on the wall, up to 100...fluctuating back and forth almost like stop motion.

We have also thought of another technique which we may use, for one or two of teh performance shots we may blur the movement of the band to kind of create a ghost trail behind them.


Added by Annie on 20.09.08:
Although I love the power standing behind the camera gives me - editing is by no means second best! Music is music and video clips are just lots of pictures joined up, editing is like nothing else. Not only are we desperate for this video to be successful in the way that it's punchy and impactful, more than anything we want to iliminate ANY chance of continuity error. In the past, this has been trickier than we originally thought.
However, in this blog, we'll talk about techniques which will keep our audience's eyes glued to the screen, such as:
(As Dan and Mynnion said) Split screen
Stop motion
and for the 'as live' footage, a blur effect

We're excited as can be after getting really good marks in our Thriller projects last year. We'll be using the same software- Final Cut. I'm completely stoked as I've been waiting for an excuse to use all the features again. Obviously, for synching purposes we have to use the roll, ripple, slip, slide, and of course razor blade tools (although we might use flash synching anyway)

There are a few techniques we are really biased against this time, a shorter list than the tools we DO want to use. As we would particularly like the editing to suit the song's message and there aren't any slow bits, we don't see the song as fade-worthy. As yet we have thought a lot more about the ideas for shots in the performance stage, instead of the narrative side of things, which I assume may lead to improvisional editing methods and a slightly more abstract feel.
Although we have been advised to follow a strict plan of action, playing the song repeatedly from different angles in different locations, if something looks particularly shocking and is thought to suit a certain part of the song, we may use it as a cutaway and stick it in where we like.

We're all aware of the importance of knowing the song inside out before the editing stage. I hope we're all free for the shoots, but if not, I'm sure the song will be a fantastic annoyance to us all forever more! I don't doubt it will be overplayed.

After capturing the footage on Final Cut, we'll use Opt+ Cmnd+W to see the wave forms and the marker to clearly represent moments in the song which will carry us towards the rough edit.

I've thought about using the colour glow tool to accentuate light flares, if any. Just to add a little sparkle. I've also thought of a few ideas about bringing Photoshop into the equation, adding keying layers and creating a unique feel.

Wow, this went on a long time. Now, to other school work!
What a Saturday night.

Our plans, they have changed!

We have a super-special awesome new member to our erotic club/group, and she has linkage to a band who are sexy enough to be in a video that we record. We turned down Napalm Death for being too fat. Her name is Annie and she rocks socks like rocks with... chickens. Anyway, this allows us to use the band in our video, which is super-special awesome.

Because people in bands are fickle people (which is why I've been through 16 drummers in a year- I'm not like this anymore so PLEASE contact me if you can actually drum -Aidan), so Annie consulted the band to see what their ideas are. Their initial idea involves what the lyrics imply - people's dreams. This also involves using Polaroid pictures, with their hopes and dreams written on the white bit at the bottom, for example, a picture of a builder whose dream was to be a ballet dancer, mixed with performance shots of the band in the chorus with the band performing in a room to meet the demands to sell the artist. Here are a few of our ideas:

1) Point-of view- looking at polaroid, then the person's face.
2)

Here are the lyrics:

My hands and feet are tied to this chair
It stays like this where I get nowhere
Woah-oh we lost all feeling
Woah-oh a long time ago

'Cause it happened again
We have the dreams but do we have the talent to fulfill them?

'Cause I won't fail you
I won't fail you again
I won't fail you again
You break your back to know my name
Then you just throw me away
Forever, we'll see where this one takes us

I lost my touch a long time ago
One poker game and now I'm broke
What a suprise

We open up to dreams
Dream 'til we lose our feeling
But we can always say
At least we try

'Cause it happened again
We have the dreams but do we have the talent to fulfill them?

'Cause i won't fail you
I won't fail you again
'Cause i won't fail you again
You break your back to know my name
Then you just throw me away
Forever, we'll see where this one takes us

*instrumental*

You ain't see the last of me yet
You ain't see the last of us yet
You ain't see the last of me yet
You ain't see the last of us yet

'Til the death bed
'Til the death bed

'Cause I won't fail you
I won't fail you again
'Cause I won't fail you again

Pitch:
FILL OUT BY OVER 240 WORDS
The music video will be aimed at the target audience that the song already has. Which (by the look of the comment board on their social-networking page) consists mainly of young teenage girls... fab(?). They'll want to see this music video as the song is already hugely popular with the fan base.
The video will have both a narrative and 'as live' performance footage that is interlinked with the lyrics. The idea is all about dreams, as the chorus implies. Visually, the 'story' side will present characters (extras) who have dreams they have either missed the chance to fulfill (for example, a builder whose childhood dream was to be a ballet dancer) or can still fulfill but is nervous about. Each extra is introduced by a polaroid picture being stuck to a wall of a board, in a hall opposite the band (who are playing the song itself). Initially there is a negative feel as all the extras are disappointed, but through the song, either the band members to the extras, or the extras to one another help everyone achieve their dreams.
Unlike other music videos, this was not fully consciously inspired by any other video, although in production, I'm sure other's ideas will shine through.
This music video is gunna be aweeeesome.